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My
formal art education is very limited to junior and high
school art classes. Always the outcast, my art projects
were often late or incomplete, and always had an anti-social
twist. Frustrated teachers and administrators struggled
to keep me from flunking out, even in art class. But drawing
I still did, lots of drawing, and those sketches helped
me to land my first real job.
At
age sixteen armed with a crude portfolio of drawings I pursued
an after school position of floor sweeper and go-fer at
a new local tattoo shop near my high school. Impressed by
my enthusiasm I secured a $70-per-week job where I was able
to learn some tricks of the trade. I was also at this time
doing scratcher tattoos on my buddies at home (a hobby frowned
upon by my father who later persuaded me to hold out for
a formal apprenticeship under “Master” Greg
Skibo).
This
was a real turning point and an exciting time for a young
artist. After graduation (yeah, I actually graduated from
high school) I was able to talk to the Skibo’s (a
family run business of 3 shops) about a real apprenticeship.
They took me in, at age eighteen I was a full time tattoo
apprentice. I learned how to draw and color tattoo “Flash”
and had lots of practice fixing up those crappy homemade
tattoos on my buddies. Everyone at the shop was great, Jim
Capano, Mike O’Neill, and Chris J’Tot, just
to name a few. Chris was also an apprentice when I showed
up, and for only tattooing for a year, he had developed
a cool graffiti/skate style. We clicked right away, and
in a few short years we became the main artists in the Greeley
shop.
The
tattoo environment in Greeley was a great place for us to
develop our skills, there is a large Hispanic population
as well as a large pool of blue collar folks to tattoo on.
The Mexicans love their black and grey fine line style;
I was doing lots of low-rider, vato, catholic, and L.A.
style stuff. This opened a lot of doors as far as style
and really defined my shading technique. The college tattoos
weren’t extravagant, however small cheap tattoos teach
you a lot about being an efficient tattooer. These skills
paid off when we started working bike swap meets, tattoo
conventions, auto shows and anywhere else we could find
a crowd.
Chris
and I always worked well together we have a kind of competitive/supportive
thing going on. We always work close so we can bounce ideas
off each other we stay as creative as possible each of us
critiquing the other and pushing the limit of our abilities.
It didn’t take long and we had a great following of
faithful clients. We both had tattoo shop friends in Denver,
and soon we gravitated toward the bigger city scene. Chris
moved to Denver full time and was working at penetration
tattoo (now Phantom8) and within a few years ended up buying
the shop with his wife Krisha. That year (1998) I also moved
back to Denver and Phantom 8 was now my permanent hub to
tattoo the world from.
Phantom
8 has a creative vibe and a strong sense of pride and quality.
I have been fortunate enough to be tattooing here for almost
a decade. I’ve also developed a love for the road,
working and meeting new friends along the way. I hope you
enjoyed my little story for it is written and lived by me
with much respect for the “OLD SCHOOL.”
Nikolas
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